Congratulations to CCSCA for receiving ‘Administrative Units, Counseling Units, and Academic Units English Website Evaluation Competition’ as excellent!
CCSCA just received the highest honor for participation in our school’s 112th-year ‘Administrative Units, Counseling Units, and Academic Units English Website Evaluation Competition’ .
[ Exhibition ] 超越人之感 SUPERSENSIBLE
2023 CCSCA招募台灣本地生
CCSCA招募台灣本地生中!!!
▪️專注亞太當代藝術/美術館畫廊實習/海內外移地實習多元文化背景同學/強調理論與實踐合一
🔺報名方式:網路取號繳費→網路報名→網路上傳學歷證件及審查資料
▫️網路取號繳費:112年9月20日(三)9:00至112年10月4日(三)15:30止。
▪️網路報名填表:112年9月20日(三)9:00至112年10月4日(三)17:30止。
▫️網路上傳學歷證件及審查資料:112年9月20日(三)9:00至112年10月5日(四)17:30止。
▪️面試時間:112年10月28日(六)
🔺113年度甄試入學簡章及報名請點:https://exam.ntue.edu.tw/index_E.html
2023 CCSCA Graduate Research Forum

【CCSCA Talk】 “The Museum as University: Decolonising Art History, Comparative Anxieties & Global Modernisms in Southeast Asian Art” by Seng Yu Jin, Senior(辛友仁) Curator and Deputy Director of the National Gallery Singapore

【CCSCA Talk】2022 TAIWAN ART BIENNIAL, “LOVE AND DEATH OF SENTIENT BEINGS” by curator Manray Hsu
Coming up next Friday. curator Manray Hsu from 2022 TAIWAN ART BIENNIAL will be giving a talk at CCSCA about 2022 TAIWAN ART BIENNIAL, “LOVE AND DEATH OF SENTIENT BEINGS”. All welcome.
Date: Friday 5th May 13:30-15:30 in Room D204.
Speaker’s bio:
Manray Hsu is an independent curator and critic. His intellectual work focuses on cultural conditions of globalization, the relationship between aesthetics and politics, and geopolitical situations of contemporary art and the arts of the Anthropocene. His recent curatorial projects include: How Big Is the World? (2002, O.K Center for Contemporary Art, Linz, Austria); the Liverpool Biennial (2006, U.K. Liverpool); Naked Life (2006, Taipei Museum of Contemporary Art); Taipei Biennial (2008, co-curated with Vasif Kortun, Taipei Fine Arts Museum); Autostrada Biennale: The Future of Borders” (2017, Prizren, Kosovo); “The South: an Art of Asking and Listening” (2017, Kaohsiung Museum of Fine Arts); “Herbal Urbanism: An artistic project on cosmopolitics” (2018, Hong Gah Museum, Taipei); “When Kacalisian culture meets the vertical city: Greater Sandimen Contemporary Art” (2019, Taiwan Aboriginal Culture Park, Pingtung); “Kacalisian: Crossing the Tuniu Ditch” (2019, Pingtung Chaozhou Linhousilin Forest Park); “Crossing the Tuniu Ditch – Reactivating Tribal Deities, the Name Rectification of Makatao” (2020, Assembly of Communities: MIX, MOCA Taipei); “Futurist Wave: Contemporary Art from Greater Sandimen” (2020, Pingtung Museum of Art); “Herbal Urbanism Hsinchu: Margins of the City as Method” (2021, Hsinchu City Art Gallery, Hsinchu 241 Art Gallery);” Distances between Us and the Future: An Exhibition of Taiwanese Indigenous Contemporary Art” (2021, the Taiwan Indigenous Peoples Cultural Park); “Between Earth and Sky: Indigenous Contemporary Art from Taiwan” (2021, The Tenth Asia Pacific Triennial of Contemporary Art). Hsu served as a jury member for the 49th “Venice Biennale” and a jury member of the “Unesco Prize” and the 7th “Istanbul Biennial.”