Events
[CCSCA Talk] "Politics of Refusal in J-Pop: Anonymity, Social Withdrawal, and the Par" given byDr. MŌRI Yoshitaka (毛利嘉孝)
Coming up next Tuesday. Dr. MŌRI Yoshitaka (毛利嘉孝) from Tokyo University of the Arts will be giving a talk at CCSCA titled "Politics of Refusal in J-Pop: Anonymity, Social Withdrawal, and the Paradox of Platform Capitalism". All welcome.
Date: Tuesday 21st March 13:30-16:30 in Room G506.
Speaker's bio:
Dr. MŌRI Yoshitaka is Professor of Sociology, Cultural Studies and Media Studies at Tokyo University of the Arts. Born in 1963. BA in Economics (Kyoto University), MA in Media and Communications and Ph.D. in Sociology (Goldsmiths College, University of London). His research interests are postmodern culture, media, contemporary art, the city and transnationalism. His publications include, Banksy, Kobunsha, 2019, Sutorīt no Shisō (The Philosophy in the Streets) NHK Publications, 2009 and Popyurā Ongaku to Shihonshugi (Popular Music and Capitalism) Serica Shobō, 2005/2012 (in Japanese) and “J-Pop Goes the World: A New Global Fandom in the Age of Digital Media” Made in Japan: Studies in Popular Music, T. Mitsui (Ed), Routledge, 2014, and “New Collectivism, Participation and Politics after the East Japan Great Earthquake”, World Art, Routledge/Taylor & Francis, 5/2, 2015, “Culture=Politics: The Emergence of New Cultural Forms of Protest in the age of Freeter” Inter-Asia Cultural Studies, vol.6 No.1, Routledge: London, pp.17-29, 2005 (in English). The Chinese version of Popular Music and Capitalism is now available: 《流行音乐与资本主义 修订 版》、译者: 耳田、出版社: 上海社会科学院出版社.
來自東京藝術大學社會學、文化研究與媒體研究的毛利嘉孝教授(MŌRI Yoshitaka)將於下周二蒞臨CCSCA舉行專題講座,講題「J-Pop中的政治拒絕性:匿名、繭居及網路平台資本主義下的自相矛盾(Politics of Refusal in J-Pop: Anonymity, Social Withdrawal, and the Paradox of Platform Capitalism)」
*此為全英語講座
時間與地點:03/21(二)至善樓G506
專題講者介紹:MŌRI Yoshitaka 毛利 嘉孝
1963年生,毛利嘉孝博士是東京藝術大學社會學、文化研究與媒體研究的教授,為京都大學經濟學學士、倫敦大學金匠學院媒體與行銷碩士以及社會學博士,研究興趣包含後現代文化、媒體、當代藝術,以及城市與跨國主義。其著作包含《班克斯》(Banksy)(光文社,2019)、《街道上的哲學》(NHK,2009)、《流行音樂與資本主義》(せりか書房,2005/2012) 、〈J-Pop前進世界:數位媒體時代的新全球粉絲國度〉(J-Pop Goes the World: A New Global Fandom in the Age of Digital Media,收錄於三井徹所編著之《日本製造:流行音樂研究》(Made in Japan: Studies in Popular Music,Routledge,2014),以及〈東日本大地震後的新集體主義、參與和政治〉(New Collectivism, Participation and Politics after the East Japan Great Earthquake,收錄於《世界藝術》(World Art),Routledge/Taylor & Francis,5/2輯,2015)、〈文化=政治:飛特族時代新抗爭文化的興起〉(Culture=Politics: The Emergence of New Cultural Forms of Protest in the age of Freeter,收錄於《亞際文化研究》(Inter-Asia Cultural Studies)第6期第1輯,Routledge:倫敦,頁17-29,2005)、《流行音樂與資本主義 修訂版》中文版已由上海社會科學院出版社發行。