I-Wen CHANG is an Assistant Professor at Taipei National University of the Arts. She received her PhD in Culture and Performance at the University of California, Los Angeles (UCLA). Her areas of specialization include Taiwanese theatrical dance, digital performance, interdisciplinary and intercultural performance. She serves as a board member of “Taiwan Dance Research Society.” I-Wen is the author of the books Beyond Dancing: Dance in Contemporary Art (Taipei: BOOKMAN BOOKS, 2022), and the co-author of the book Networked Bodies: The Culture and Ecosystem of contemporary Performance (Taipei: Taipei Performing Arts Center, 2022) and Pina Bausch: Dancing for the World (Taipei: National Performing Arts Center, 2007). She is a performance critic for the Artist Magazine (Taipei) and Performing Arts Review Magazine (Taipei) since 2007. Her articles are published in Journal for the History of the Body, Inter-Asia Cultural Studies, Arts Review, Taiwan Dance Research Journal, Culturebot, and Curatography. She is the curator of the “Digital Corporeality” exhibition at C-LAB (2021-22). She co-curated the exhibition "Hot Body, Cool Tech: Performative and Choreographed Bodies in New Media" " with Dr. Francesca ALBREZZI at the Taiwan National Museum of Fine Arts (2017) ,the curator of "Tradition In Near Future: Ritual Corporeality in Contemporary Taiwanese Arts” at Taiwan Academy, Los Angeles (2018) and the co-curator of Taiwan Art Biennial 2022—Love and Death of Sentient Beings (with Manray Hsu) at National Taiwan Museum of Fine Arts.