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March 04, 2024
[CCSCA Workshop]Mapping Inter-Asia Art/Activism Workshop
共繪亞際「藝術/運動」地圖工作坊
Mapping Inter-Asia Art/Activism Workshop
講師:江上賢一郎(東京藝術大学特任助教)、李俊峰
地點:北師美術館一樓
時間:2024/3/18(一)13:30-17:00
2024年為太陽花運動與雨傘運動十週年的時刻,這兩個運動期間與其後有龐大的創意生產與藝術創作,在亞洲可說是具有指標性與關鍵性地位,也讓藝術與行動主義的結合在2010年代明顯展現,既擴張藝術的範疇,更作為「藝術力」於社會現實之中扮演角色。江上賢一郎與李俊峰在2023年9月底於東京舉辦的「NO LIMIT 2023 高円寺番外地」的一場對談,談彼此對於香港與日本的藝術行動主義之觀察。此次希望延續與擴大討論,可針對2010年代提供一跨地域的比較性視野。並邀請國際學生共同參與,試圖共同描繪曾經發生的「藝術/運動」。
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江上賢一郎 Kenichiro Egami
Kenichiro Egami 畢業於倫敦大學金匠學院文化人類學碩士。目前他是東京藝術大學(Tokyo University of the Arts.)的計畫助理教授。自2010年代以來,他一直在亞洲進行藝術和行動主義的研究和計畫。他的研究主要關注於 2010 年代亞洲抵抗文化網絡以及高圓寺「業餘暴動」的自治社區實踐。出版《透過集體合作與對話的方法論描繪全球化》(《藝術與人類學學會雜誌》,2021)、《香港「反送中法」抗議中的空間與文化實踐筆記》(《全球藝術與人類學學會雜誌》)藝術研究與策展實踐,2020),「東亞跨國非正式網絡:分享反對公地資本化的想法、技能和經驗」(亞洲文化研究,2018),「核戰的藝術- 集體創作與運動」 》(創意空間-東亞的藝術與空間阻力,2012)等。他也是福岡市藝術空間art space tetra的共同管理成員,該空間組織各種展覽、講座和其他文化活動,並於2023年5月他於 2023 年在東京藝術大學共同策劃了《 Debordering: Woodcut Printmaking Practice in Inter-Asian Context 》,展示亞洲的木刻版畫實踐。
MA in Cultural Anthropology from Goldsmiths, University of London. Currently Project Assistant Professor at Tokyo University of the Arts.Since the 2010s, he has been conducting research and projects on art and activism in Asia. His main research interests are the networking of cultures of resistance in Asia in the 2010s and the self-governing community practices of the Koenji ‘Amateur Riot’. He has published “Portraying Globalisation Through Collective’s Methodology of Collaboration and Dialogue” (Journal of the Society for Arts and Anthropology, 2021), “Notes on Spatial and Cultural Practices in the Hong Kong “Anti-Extradition Law” Protest” (Journal of Global Arts Studies and Curatorial Practices, 2020), “East Asian informal networks across borders: sharing ideas, skills and experiences against the capitalisation of the commons” (Inter-Asia Cultural Studies, 2018), “Art of Nuclear War – Collective Creation and Movements” (Creative Space – Art and Spatial Resistance in East Asia, 2012), etc.He is also a co-managing member of the art space tetra in Fukuoka City, which organises various exhibitions, talks and other cultural events, and in May 2023 he co-curated “Debordering: Woodcut Printmaking Practice in Inter-Asian Context,” an exhibition of woodblock prints practices in Asia at the Tokyo University of the Arts in 2023.
李俊峰 ︳LEE Chun Fung
李俊峰,從事藝術創作、教育及策劃工作。畢業於香港中文大學藝術系及台灣陽明交通大學亞際文化研究碩士課程。作為藝術家,他的作品曾於本地及中、台、日、韓、瑞士、德國、意大利等地的美術館及藝術機構展出。作為策劃人,他曾策劃多個研究性的展覽及跨地交流計劃,如「藝術/行動者駐場計劃」(2010 至15)、「解/拆邊界 亞際木刻版畫實踐」(2023)等。作為研究者,他的文章曾發表於 Inter-Asia Cultural Studies、Journal of Contemporary Chinese Art、《人間思想》等學術期刊。他曾參與發起多個藝術家組織及研究項目,如社區/藝術空間「活化廳」(2009 至 2015)、「亞際木刻圖繪」(2019至今)、「共再生:自組識實踐檔案計劃」(2020至今)等等。目前研究主要關注藝術與行動主義在東亞地區的理論與實踐。
LEE Chun Fung is an artist, curator and independent researcher based in Hong Kong. Having trained in fine arts and inter-Asia cultural studies, he has been woking on the researches of self-organized art practices and urban activism across East Asia. He is the co-founder of art/activist/community space “Woofer Ten” in Hong Kong (2009-2015) and co-founder of research collective “Inter-Asia Woodcut Mapping” (since 2019). As a curator, he has curated serval art exchange projects such as “Debordering: Woodcut Printmaking Practice in Inter-Asian Context” (co-curated with Ken Egami and Krystie Ng, 2023) and “Art/Activist in Residence AAiR” (2011–15) . As a researcher, his works have been published in academic journals, such as Inter-Asia Cultural Studies and Journal of Contemporary Chinese Art.