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Contemporary art: Theories, Contexts and Practice
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COURSE DESCRIPTION

This course explores contemporary art's evolving theories, contexts, and practices within a global framework. Through critical readings, case studies, and discussions, students will engage with key thinkers, movements, and concepts shaping the contemporary art world. 

Curriculum syllabus :
  • Introduction to Contemporary Art Theories
  • Arthur Danto and the Concept of "Indiscernibility"
  • Relational Aesthetics and Its Critique 
  • Hito Steyerl and the Role of the Image in Digital Capitalism
  • Archival Turn in Contemporary Art
  • Futurism and Science Fiction in Contemporary Art
  • The Global South: Art and Curating Beyond the West
  • Diaspora and Migration in Contemporary Art
  • Gender in Contemporary Art 
  • The Nonhuman Turn in Contemporary Art 
  • Cold War in Contemporary Art 
  • Climate Change, Ecology, Contemporary Art
  • Gallery Visit 

 

Indicative references :

  • Alpesh Kantilal Patel, 2017, Productive failure: Writing queer transnational South Asian Art Histories (Manchester University Press).

  • Arthur Danto, 2014, After the End of Art: Contemporary Art and the Pale of History (Princeton University Press). 

  • Boris Groys, 2013, Art Power (The MIT Press). 

  • Edward Lucie-Smith, 2020, Latin American Art Since 1900 (Thames & Hudson).

  • Gras, M., Harris, J., & Makhoul, B. (Eds.). (2022). The Routledge Handbook of Contemporary Art in Global Asia (1st ed.). Routledge. https://doi.org/10.4324/9781003285298

  • Hal Foster, “An Archival Impulse” October 110 (Autumn, 2004), pp. 3-22.

  • Heather Davis and Etienne Turpin, 2015, Art in the Anthropocene: Encounters Among Aesthetics, Politics, Environments, and Epistemologies (Open Humanities Pr).

  • Hito Steyerl, 2009, “In Defense of the Poor Image” e-flux Journal, issue 10.

  • Kodwo Eshun, “Further Considerations on Afrofuturism” The New Centennial Review 3, 2, globalicities: possibilities of the globe (Summer 2003).

  • Mark Fisher, 2017, The Weird and the Eerie (Repeater).

  • Okwui Enwezor, 2008, “The Politics of Spectacle: The Gaze of the African Artist” 7th Gwangju Biennale catalogue.

  • Terry Smith, 2009, What is Contemporary Art? (University of Chicago Press).