LU Pei-Yi

This course aims to provide an understanding of the theory and practice of curating. Through close readings of texts, exhibition visits and introduction to various modes of exhibition-making, the course will examine the complex relationship between exhibitions and the artworks it presents, the institution within which they are located and their multiple and diverse publics. The course will also explore the exhibition as a critical form that responds to social, political and economic exigencies in an increasingly globalised world.

Indicative references :

• Reesa Greenberg, Bruce W. Ferguson and Sandy Nairne (eds.) Thinking about Exhibitions, London: Routledge, 1996.
• Terry Smith, Thinking Contemporary Curating, Independent Curators International (ICI), 2012
• Lucy Steeds (ed.), Exhibition (Document of Contemporary Art), London: Whitechapel Gallery, 2014
• Mary Ann Staniszewski, The Power of Display: A History of Exhibition Installations at the Museum of Modern Art, Cambridge: The MIT Press, 2001
• Afterall Exhibition Histories https://www.afterall.org/books/exhibition.histories/
• ONCURATING http://www.on-curating.org/issues.html